![]() * “Madam Secretary” DP Learan Kahanov used Pocket Cinema Cameras for specialized shots, including webcam, surveillance cameras and cell phone footage and * “Jack Ryan” DP Richard Rutkowski used Micro Studio Camera 4Ks as action and crash cameras, as well as to capture unique, remote angles Some of the 2018 fall series using Blackmagic Design cameras and hardware include: It easily competes with other node based compositing options at a fraction of their cost.” “It’s a powerful creative tool with great flexibility and low overhead. “Fusion Studio is a major part of our pipeline,” said John Gross, founder and creative director of Muse VFX. Hollywood based VFX studio Muse VFX depends on Fusion Studio for VFX work and compositing on a wide range of shows. ![]() “We use DaVinci Resolve to conform and export hundreds of shots every episode, and it has saved us many times, such as when we tried to conform 8K to 4K and HD in a couple of different aspect ratios. ![]() It’s a vital part of our VFX workflow,” said Mike Gaines, owner of InvisEffects. Los Angeles based InvisEffects relies on DaVinci Resolve for a number of fall shows: “We use DaVinci Resolve almost every single day. I’m always eager to put the Blackmagic Design cameras into play on a scene.” The URSA Mini Pro and Micro Cinema Camera are designed to work for post production and I know they have the image quality I need for the show. ![]() “I shoot a very cinematic look on a tight schedule,” said Judd Overton, cinematographer for “No Activity.” “I need to know my camera has the latitude and flexibility I need. Maisel” and “The Big Bang Theory” join the hundreds of top shows created with Blackmagic Design products.ĭP Judd Overton relies on the URSA Mini Pro and Micro Cinema Camera to capture unique angles and provide additional coverage on “No Activity” for CBS All Access. Video payload identification ancillary data as per SMPTE 352M.Growing on the more than 40 fall TV shows announced in 2017, the 2018 shows, such as “Charmed,” “The Marvelous Mrs. REC 601, REC 709, REC 2020 SDI Auto SwitchingĪutomatically selects between 270Mb SD‑SDI, 1.5G HD‑SDI, 3G level A and level B HD-SDI, 6G HD‑SDI, 12G‑SDI and DVB‑ASI on each input so that each input can be running a different television standard. SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B Video payload identification ancillary data as per SMPTE 352M. SDI Color SpaceĪutomatically selects between 270Mb SD‑SDI, 1.5G HD‑SDI, 3G level A and level B HD‑SDI, 6G HD‑SDI, 12G‑SDI and DVB‑ASI on each input so that each input can be running a different television standard. YUV 4:2:2 and RGB 4:4:4 SDI Color Precisionġ0, 12‑bit RGB 4:4:4 in all HD and 2K modes, Ultra HD modes up to 2160p30 and 4K modes up to 4Kp30 DCI. ![]() Television standard sample rate of 48kHz and 24-bit. ![]()
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